{"id":1051,"date":"2011-03-15T13:57:00","date_gmt":"2011-03-15T13:57:00","guid":{"rendered":"http:\/\/www.talentmanagement.com\/blog\/?p=1051"},"modified":"2011-03-15T13:57:00","modified_gmt":"2011-03-15T13:57:00","slug":"talent-management-reveals-the-2011-olivier-award-winners","status":"publish","type":"post","link":"https:\/\/www.talentmanagement.com\/blog\/2011\/03\/talent-management-reveals-the-2011-olivier-award-winners\/","title":{"rendered":"Talent Management Reveals The 2011 Olivier Award Winners"},"content":{"rendered":"
\"Sheridan<\/a>
Sheridan Smith (Best Actress in a Musical) via olivierawards.com<\/figcaption><\/figure>\n

On Sunday night, the Talent Management team<\/a> eagerly tuned into the live broadcast of the 35th Laurence Olivier Awards.<\/p>\n

Broadway import \u2018Legally Blonde The Musical\u2019, which made its West End debut in early 2010, was the big winner this year – not to mention it being a favourite here at Talent Management.<\/p>\n

With an impressive five nominations, the show based on the hit 2001 Reese Witherspoon film picked up the award for \u2018Best New Musical\u2019, \u2018Best Performance In A Supporting Role In A Musical\u2019 for Jill Halfpenny, and \u2018Best Actress In A Musical\u2019 for Sheridan Smith.<\/p>\n

The full list of 2011\u2019s Olivier Award winners are:<\/p>\n

SOCIETY OF LONDON THEATRE SPECIAL AWARD<\/strong>
\nStephen Sondheim
\n
\nBEST ACTRESS<\/strong>
\nNancy Carroll, “After the Dance”
\n
\nBEST ACTOR<\/strong>
\nRoger Allam, “Henry IV Parts 1 & 2”<\/p>\n

BEST ACTRESS IN A SUPPORTING ROLE<\/strong>
\nMichelle Terry, “Tribes”<\/p>\n

BEST ACTOR IN A SUPPORTING ROLE<\/strong>
\nAdrian Scarborough, “After the Dance”<\/p>\n

BEST NEW PLAY<\/strong>
\n“Clybourne Park” by Bruce Norris<\/p>\n

BEST MUSICAL REVIVAL<\/strong>
\n“Into the Woods”<\/p>\n

BEST NEW MUSICAL<\/strong>
\n“Legally Blonde\u2014The Musical”<\/p>\n

BEST ACTRESS IN A MUSICAL <\/strong>
\nSheridan Smith, “Legally Blonde\u2014The Musical”
\n
\nBEST ACTOR IN A MUSICAL<\/strong>
\nDavid Thaxton for “Passion”
\n
\nBEST PERFORMANCE IN A SUPPORTING ROLE IN A MUSICAL <\/strong>
\nJill Halfpenny, “Legally Blonde\u2014The Musical”
\n
\nBEST DIRECTOR <\/strong>
\nHoward Davies, “The White Guard”<\/p>\n

BEST REVIVAL <\/strong>
\n“After the Dance” directed by Thea Sharrock<\/p>\n

BEST THEATRE CHOREOGRAPHER <\/strong>
\nLeon Baugh, “Sucker Punch”<\/p>\n

BEST LIGHTING DESIGN <\/strong>
\n“The White Guard” designed by Neil Austin<\/p>\n

BEST SET DESIGN <\/strong>
\n“The White Guard” designed by Bunny Christie<\/p>\n

BEST COSTUME DESIGN <\/strong>
\n“After the Dance” designed by Hildegard Bechtler<\/p>\n

BEST SOUND DESIGN<\/strong>
\n“King Lear” designed by Adam Cork
\n
\nBEST NEW DANCE PRODUCTION<\/strong>
\n“Babel (Words)” by Eastman vzw and Royal Opera House La Monnaie, choreographed by Sidi Larbi Cherkaoui and Damien Jalet<\/p>\n

OUTSTANDING ACHIEVEMENT IN DANCE <\/strong>
\nAntony Gormley for his set design of “Babel (Words)” by Eastman vzw and Theatre Royal de la Monnaie<\/p>\n","protected":false},"excerpt":{"rendered":"

On Sunday night, the Talent Management team eagerly tuned into the live broadcast of the 35th Laurence Olivier Awards. 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